Screenplay by Nia Vardalos

  • The word choices here are smart and funny, which tell us we’re in rom-com territory. 

  • This proves that good character description doesn’t have to be relegated to visuals. Description can also exist in what someone says to or about the character. 

  • In one statement from her father, we get a sense of Toula’s personal conflict. There’s a ticking clock present from the get-go. The subtext is: You’d better find somebody to love you before you become completely undesirable. It’s sad and we immediately empathize and are on board to see what happens to her next.

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MOONLIGHT (2016)

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NIGHTMARE BEFORE CHRISTMAS (1994)